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…placeholders A design can set a second brand colour, in light and optionally dark (dark keeps light's when it has none). Two new bands use it: support fills with it, and blend runs the brand colour into it, in a line or as a soft mesh beside the words with the page's own colour under them. A mesh gives way to the plain page on phones, where the words cross it. Band text is picked to read at 4.5:1 everywhere it sits, and a blend no text can read across is refused like any unreadable pair. Highlighted phrases take the second colour when there is one. Composer and title placeholders now use the secondary text colour, which the solver keeps at 4.5:1, rather than a faded copy of it.
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A design can set a second brand colour, in light and optionally dark
(dark keeps light's when it has none). Two new bands use it: support fills
with it, and blend runs the brand colour into it, in a line or as a soft
mesh beside the words with the page's own colour under them. A mesh gives
way to the plain page on phones, where the words cross it. Band text is
picked to read at 4.5:1 everywhere it sits, and a blend no text can read
across is refused like any unreadable pair. Highlighted phrases take the
second colour when there is one.
Composer and title placeholders now use the secondary text colour, which
the solver keeps at 4.5:1, rather than a faded copy of it.
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